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[free improvisation, electroacoustic] Steve Beresford, Stephen Flinn, Dave Tucker - 2011 - Ink Room (FLAC, Creative Sources 193)

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Music : Other : Lossless
      

Creative Sources cs 193 cd.

1	All Night	10:01
2	Investigations	8:55
3	The Torn
Couple	2:03
4	The New Advocate	5:06
5	One Girl Alone	6:21
6	Mud Club	4:23
7	Fragments	12:31

Stephen Flinn: drums, percussion
Dave Tucker: electric guitar
Steve Beresford:
electronics

Ink Room is one of those albums carrying the information that it was recorded live, with no
overdubs—and it needs to. Electronic manipulator Steve Beresford, electric guitarist Dave Tucker guitar and, from
Los Angeles, percussionist Stephen Flinn produce a lot of music between them, to the extent that such reassurances are
required. Recorded in November 2010, the album joins the ever-growing group of recordings which enhance the reputation
of the London Improvisers Orchestra. Beresford and Tucker are both members of LIO, and are also regular conductors, a
role in which each of them frequently demonstrates their ability to spontaneously shape the playing of the many members
of LIO into coherent, vibrant music. 
While the instruments played by this trio are nowhere near as diverse a
selection as those in LIO, there is no well-established paradigm for combining improvised electric guitar and drums with
electronics; consequently, the threesome is in uncharted territory and so negotiate their own set of rules and
priorities. On guitar, Tucker mainly plays it simple, employing a vocabulary derived more from rock than improv—a
combination of single notes, runs and chords, without many effects or tricks. Flinn largely follows his example,
employing a battery of techniques that rarely grab the attention, but are good at what they do, namely providing support
for the others, plus coloration and the occasional diversion. 
Unsurprisingly, Beresford's electronics are the
least predictable element of the music—the wild card, the joker in the pack—as he calls upon a diverse
selection of tones across the frequency range, many familiar from old sci-fi movies or reminiscent of animal noises. The
overall effect is of a complex but well-ordered soundscape which effectively walks the tightrope between familiarity and
novelty and is easy to listen to with no sharp edges or nasty shocks lurking. 
So, on the album's shortest
track—the effective "The Torn Couple"—Tucker and Flinn lay down an unpretentious background
riff, over which Beresford adds electronic interjections, creating a piece that is beguiling in its simplicity. Next up,
"The New Advocate" is more garrulous but just as effective, with Tucker's guitar well to the fore. 
While
Ink Room is the title of a one-off album by this trio—as has happened with Foxes Fox (Emanem, 1999), The Contest
of Pleasures (Potlach, 2001) and others—in time, it could well become the name of the group itself. Let's hope
so, as it would be good to hear more from this threesome. - John Eyles, All About Jazz
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